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THE ORIGIN OF WORSHIP OF
GANESHA


There is no hindu household anywhere in the world where an auspicious event occurs without first offering prayers to Gananayaka or Vighneswara who wards away obstacles.
Adi Sankara Bhagavadpada prescribed worship to six distinct deities, namely worship of Ganesa, worship of Siva, worship of Vishnu, worship of Kartikeya, worship of Sakti and worship of Surya. Worship of Ganesa is ever popular and He is the familiar and endearing divine presence with an elephant’s head and pot belly, sitting on his vahana, the diminutive mouse. This familiar description of Ganesa however is nowhere to be found in vedic literature. This particular and popular description occurs only in medieval literature.
In Rig veda the word Ganapati is found to be used as an attribute of Brahmanaspati. What is more, Rig Veda addresses Indra also as Ganapati. The well known mantra Gananam tva Ganapati hava mahe…”, etc, is actually addressed to Brahmanaspati. Aitareya Brahmana also expressly states that this mantra is addressed to Brahmanaspati who is desribed as the Lord of prayers or holy teachings and doctrines.

The Taitiriya Aranyaka however ontains a verse which says ‘we contemplate Vakratunta, therefore may the tusked (God) drive us forward”.

The Grihya and Dharma Sutras do not contain any reference whatever to worship of Ganesa at the beginning of auspicious rites.

Deva Tarpana of Boudhayana includes propitiation of Vighna , Vinayaka, Vira, Sthula, Varada, Hastimukha, Vakratunta, Ekadanta and Lambodara. This part of Boudhayana Grihya Sutra however is considered to be of doubtful authenticity. This portion of the sutra claims that these names are attributes of Vinayaka.

According to Manava Grihya Sutra there are four vinayakas, namely, Salakatankata ,
Kusmarajaputra, Usmita and Devayajana. They are described as evil spirits. “When they sieze people they have bad dreams and see in them inauspicious sights such as shaved persons, persons with matted hair or persons wearing yellow garments, camels, hogs, asses and chandalas. When they sieze princes though they are capable they are deprived of their kingdoms; well accomplished and deserving maidens do not find husbands; married women remain barren; even virtuous wives lose children in their infancy; farmers lose their crops.” The Manava Grihya Sutra in which these descriptions occur then proceeds to desribe propitiatory rites to remove the evil effects of siezure by Vinayaka..

The Baijavapa Grihya Sutra mentions four vinayakas, namely Mita, Sammita, Salakantaka and Kusumandarajaputra, and describes their evil influences in the same way as the Manava Grihya Sutra.

The Baijava Grihya Sutras and Manava Grihya Sutras may be considered to show the
First stage in the cult of Vinayaka worship. At this stage vinayakas are considered to be
Malevolent spirits that spell danger and create obstacles of all kinds.

The second stage can be seen in the descriptions in Yagnavalkya Smriti. Here one finds
Vinayaka described as the Lord of the Ganas, appointed by Brahmna and Rudra. Here he is described as one who causes obstacles as well as one who removes them.

There is a description attributed to Yagnavalkya whih says that Mita, Sammita, Salakantaka and Kusumandarjaputra are the four names of one Vinayaka, son of Ambika. There is no mention by Yagnavalkya of the popularly known names Ekadanta, Heramba, Gajanana, Lambodara, which are all direct descriptions of the elephant headed deity.

The Baudayana Grihya Seshasutra describes Vinayaka as Lord of Bhutas and also describes him as “Hastimukha” and “Vighneswara” .It also prescribes apupa and
Modaka as neivedyas to propitiate him.

The Gobhila Smriti says that at the beginning of all rites the matrs together with Ganadipa( Lord of Ganas) should be worshipped. The popular version of Ganesa had become distinctive by about the 6th century A.D. The well known and popular story about origin of Ganesa, where Lord Ganesa being created as a guard by Ambika while she had a bath and about his head being chopped off in anger by Lord Siva who later replaces it with the head of an elephant and making him the chief of his ganas is attributed to Vanana Purana.

Whatever may be the origin and development of the cult of Ganesa worship, Ganapathi, Vighneswara with the head of an elephant, pot belly and with a piece of his own broken tusk in his hand and seated on a mouse, is deeply ingrained in the Hindu minds everywhere in the world as the Lord who wards off evils and obstacles in answer to prayers made with deep faith.

It is also the amazing confirmation of the truth that no matter how or to which form we may direct our prayers making them with deep conviction and faith, those prayers are answered.

Forms are after all only props that one needs until one progresses higher towards sublime levels, on to the stage of Realization. When we point out the moon to a child , we use our finger to do so. When the glance of the child is once locked with the image of the moon the need for the finger vanishes.

For all of us, the finger, Vakra Tunda Maha Kaya, Koti Surya Maha Prabha will remain ever relevant and very necessary. For mankind salvation is a long, very long,,way away, say a trillion billion light years away.

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